The studio
We tell the storiesthat change howpeople see theirown health.
An award-winning independent studio built for one purpose: to make the people doing extraordinary work in human health impossible to ignore.
Our mission
Document the truth about human health.
We exist to document the truth about human health and put credible voices in front of the people who need them. Every film begins with a real person, a real problem and a real outcome.
We make them beautifully, we release them widely, and we build each story into something that keeps serving the person living it long after the credits roll.
Why they come to us
To be seen, heard, trusted and understood.
Practitioners, thought leaders and game changers come to Lolli Brands Entertainment for one reason: to have their story told properly.
Most of them have spent a career doing work the world has never properly seen. They have the results, the patients, the research and the conviction. What they have never had is a platform equal to any of it, and no amount of brilliance in a treatment room translates itself into public trust on its own.
That translation is our craft. We sit with them, we listen the whole way through, and we film what is actually true rather than what tests well. Then we put it on screens in front of audiences who came looking for exactly that answer.
Where we came from
We did not begin as a production company.
“We didn’t build this to go viral. We built it to survive. And now we help others do the same.”
We began as a family that was failed by the systems it trusted, and did the only thing it knew how to do in response: document the truth as we lived it. Every film in our catalogue started as a chapter somebody was actually living.
Anthony Lolli weighed 315 pounds and was running out of road. He filmed the 125 pounds coming off. TereZa Hakobyan-Lolli came out of a postpartum collapse and filmed her way to two bikini world titles. Then a stranger who had lost 300 pounds. Then a bodybuilder who survived a gunshot wound and stage four cancer. Then their own children, misdiagnosed seven times across seven specialists. Then an entire field of women told for decades that what they were feeling was nothing.
That origin is still the difference in the work. We film from inside the room, through the procedure, the setback, the recovery and the result, and we let the audience witness the process rather than take our word for it.
The record
It is not a portfolio of projects. It is a permanent record of a field at the moment it changed, and it keeps growing. Open the record.
The studio
Teams around the world. Award-winning or it does not ship.
Lolli Brands Entertainment operates with crews, editors, producers, designers and post teams across multiple countries, which is how a slate this size gets made at this standard without a studio lot. Directors, cinematographers and field units are matched to the subject rather than to a rota, so the people shooting a surgical procedure are not the people shooting a stadium keynote.
What holds it together is a single standard, applied everywhere: award-winning or it does not ship.
Convening power
When this studio calls, people pick up.
In our category, the question is rarely if. It is when. That is the part of this business that cannot be bought, built quickly or faked, and it is the reason a great many clients come to us instead of to a production company with a similar camera package.
Sixty-eight awards, eighteen films and years of relationships mean that when we make a call about a project, the most respected names in the field take it. They have seen the work. They know how their peers were treated on our sets. They know what the finished product looks like and where it ends up.
For anyone we produce, that is the real asset. You are not only getting a film crew. You are getting access to a room, standing beside people whose presence makes your own credibility unarguable.
What happens after we say yes
A film is where it starts, not where it ends.
A documentary that plays once and disappears has served nobody. So every project we take on is built to keep working: released across the platforms audiences actually use, promoted through media partners while it is being made, and given a permanent home where the audience for it already lives.
That is the difference between hiring a production company and commissioning a studio. One hands you a file. The other puts your work in front of the world and keeps it there.
What we make
Feature documentaries
On health, longevity and human performance, at award-winning quality.
Original television series
Developed from concept through delivery: docuseries, reality and competition formats, talk shows and continuing news desks. A documentary tells a story. A series builds a name.
Branded entertainment
For companies that have understood the shift: audiences no longer want to be advertised to, they want to be told something worth watching.
The interview library
Hundreds of long-form conversations with the field’s most credible voices, preserved and released as standalone work.
Distribution history
Accepted and streamed on the platforms audiences actually use.
Getting a film made is one achievement. Getting it accepted, carried and kept on the platforms people actually open is a different one, and it is decided by programmers and acquisitions teams who owe nobody a favour.
Prime Video
Apple TV
YouTube Movies & TV (AVOD/SVOD)
Tubi
Plex
Xumo
Hoopla
Future Today (Fawesome)
Relay
OTT Studio
Stash TV
Spark TV
DIRECTV AVOD
PremiumLive
Uplift TV
Filmzie
Sakura TV
We The Studios
fuboTV AVOD
Cineverse
Telus
TCL
Veteran Vision Entertainment
Sunn Stream
Zvoid
Rewarded TV
Castify
TTFK Media
The Roku Channel
Truth+
Rapido
Lights Out Sports
Cpics
TVEI
Americonic
Health News Network (HNN)